Fantastic Beasts: The Crimes of Grindelwald drains any remaining enthusiasm and makes the prospect of sitting through another of these films feel utterly exhausting.
The Dario Argento horror classic gets a retelling For Its’ 40th Anniversary, in a film that is Equally as beautiful and brutal as the original.
Venom is weird as hell and had it embraced that weirdness only a little more, it could have been something really unique among today’s usual superhero fare.
‘Guns Of The Apocalypse’ might be the best film yet for cutting your teeth on the weird but wonderful films of Christopher R. Mihm.
The most hyped entry of The Conjuring series to date winds up being a lackluster film that feels utterly forced into the franchise.
The Happytime Murders wants to push buttons and boundaries but all its jokes were done far better by Avenue Q, Meet The Feebles and even Crank-Yankers.
Puppet Master The Littlest Reich offers a new twist on the classic cult-film franchise that is also a surprisingly topical commentary on our times.
The Meg? More like The Meh. With terrible CGI and phoned-in performances by those actors who aren’t hamming it up, The Meg makes Sharknado look like Jaws.