Ralph Breaks The Internet is a surprisingly good sequel, building off the original and giving audiences a story that’s not only wildly entertaining but worth telling. Continue reading RALPH BREAKS THE INTERNET [Review]
Fantastic Beasts: The Crimes of Grindelwald drains any remaining enthusiasm and makes the prospect of sitting through another of these films feel utterly exhausting. Continue reading FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD [Review]
The Dario Argento horror classic gets a retelling For Its’ 40th Anniversary, in a film that is Equally as beautiful and brutal as the original. Continue reading SUSPIRIA (2018) [Review]
Venom is weird as hell and had it embraced that weirdness only a little more, it could have been something really unique among today’s usual superhero fare. Continue reading VENOM [Review]
‘Guns Of The Apocalypse’ might be the best film yet for cutting your teeth on the weird but wonderful films of Christopher R. Mihm. Continue reading GUNS OF THE APOCALYPSE [Review]
The most hyped entry of The Conjuring series to date winds up being a lackluster film that feels utterly forced into the franchise. Continue reading THE NUN [Review]
The Happytime Murders wants to push buttons and boundaries but all its jokes were done far better by Avenue Q, Meet The Feebles and even Crank-Yankers. Continue reading THE HAPPYTIME MURDERS [Review]
Puppet Master The Littlest Reich offers a new twist on the classic cult-film franchise that is also a surprisingly topical commentary on our times. Continue reading PUPPET MASTER: THE LITTLEST REICH [Review]
The Meg? More like The Meh. With terrible CGI and phoned-in performances by those actors who aren’t hamming it up, The Meg makes Sharknado look like Jaws. Continue reading THE MEG [Review]
